What the woods or jungle symbolize Essay Example

What the woods or jungle symbolize Essay Life, most importantly, the risks involved in it are symbolized by the jungle or woods in the story. The character who does not hesitate to take risks in his life is Ben. Literally, he entered the jungle with the intention of realizing his dreams. In this way, he gained control of his own life. On the other hand, the protagonist is afraid and is actually losing his grip onto his life. When he lost his job, Willy told his sons that the woods are on fire (2. 2). Moreover, Ben tells Willy that even while the jungle is dark, he must nonetheless enter into it (2. 8). What the Garden symbolizes The protagonists desire to afford for his family a good life is symbolized by the garden in the story. Prior to the building of the apartment blocks, the produce from Willys garden grow in abundance. However the physical development in their neighborhood altered the case of his garden. The protagonist is attempting to cultivate something for his family. For instance, he wanted to become successful so that he can very well provide for them. Willy was almost a success in doing this. However, he eventually failed to transform is dream into reality. Toward the end of the story, one of the last things he did prior to his demise is to plant seeds in his garden. It is indeed, a futile attempt. Success, for Willy is something he most desperately craves but never possessed. What the Brand Names and the Car symbolize The use of brand names in the story, such as Studebaker, Hastings, Simonize, and Chevrolet aids in heightening the realism of the story (1. 3). These brands regarded as status symbols also signify the material success that the protagonist craves for and how it eventually proves to be hollow. We will write a custom essay sample on What the woods or jungle symbolize specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on What the woods or jungle symbolize specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on What the woods or jungle symbolize specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Willy is deceived into believing that the possession of these things is tantamount to success. Perhaps the most suggestive symbol presented in the story is that of the car. Community and family pride are symbolized in the weekend excursions and polishing. Still, the car also signifies the instrument by which the protagonist earns a living. Just like the car, Willy also comes to the point when he wears out (Otten 54). What the Rubber Hose symbolizes The appearance of the rubber hose calls to mind the desperate attempt of the protagonist to take his own life. He tried to commit suicide by inhaling gas (2. 8). Ironically, gas represents one of the most important elements needed to produce heat which is something essential for the comfort and health of his family. Death, in the literal sense achieved by means of inhaling gas is comparable to the metaphorical death that the protagonist feels in his efforts to provide a basic necessity for his family. The theme of death is directly related to the symbolism represented by the rubber hose in the story. Willys attempt to inhale gas to kill him self denotes his intention of escaping the realities of his existence. He tries to escape the difficulties of losing his job and his failure to realize success. Deception and grief is also signified by the rubber hose. Willys wife is bewildered over the supposed purpose of the rubber hose when she found it inside their house (2. 1). The deceiving nature of the rubber hose is manifested the moment Biff asked his father about it and the latter denies its existence (2. 1). What the tape recorder symbolizes The change in the protagonists life by means of the advancement in technology is symbolized by the tape recorder. Likewise, it symbolizes the end of his career as a salesman. The moment Howard, his boss presented the tape recorder to him, it seems that Howard is more interested in the technology and sound of the equipment than on his employee who is trying to stay on the job (2. 2). Unfortunately, the services that Willy can offer is not longer needed on the job. He is then fired by his boss. Nonetheless, Willy also had his faults. He does not welcome change and would rather dwell on the past. The scene where the protagonist is left alone with the equipment and unable to turn it off foretells his reluctance to change (2. 2). He still believes and would not want to change his old formula for success. However, in his job, what matters is whom you know and not what you know. He is not up-to-date with the latest in technology or even in business. Nonetheless, he never lost hope. He wanted to leave something behind for his family when his time comes. This intention is signified by his act of planting seeds in the garden. What the downward movements imply The words down, falling, and fall as well as the movement they suggest repeatedly appears in the story. They stress the downfall of the protagonist and his family. The term â€Å"beaten down† is used to describe the protagonist (1. 6). Willy is also described to fall down in the bed with his mistress at one point in the story. He fell on his knees when his eldest son discovered his affair with another woman. Biff, his eldest son ran down eleven flights of stairs after stealing a pen from the office of Oliver. Ultimately, his wife dropped flowers down his grave as he was finally laid to rest (2. 9). He wanted to leave something behind to his eldest son. In his fantasy, he wanted his eldest son to be a successful man. Willys act of planting seeds in the garden symbolizes his dream for Biff. However, Willy is destined to fail despite his actions. He began to plant seeds in the garden in the evening, the time of day where there is no light from the sun (Griffin 54). Obviously, the planted seeds need sunlight in order to grow. Furthermore, large apartment buildings started to rise around their home suggesting a sense of confinement (Bigsby 117). As stressed earlier, Willys planting of the seeds is a futile act. Nonetheless, the protagonist is persistent on his efforts to seek pardon and reconciliation. The aforementioned symbols represent the protagonists failed dreams as well as his reluctance to change, thus his inability to live his life in the now. The story is filled with symbols which when carefully scrutinized allows the audience to decipher the messages that the author seeks to convey. The symbols also help the audience to better understand the characters portrayed. The story repeatedly stresses the failure of the man who is not exactly as successful as he claims to be. Willy misspends his meager salary by purchasing a new pair of stockings for his mistress. Such action develops into further disappointments including his inability to support his family. The protagonist attempts to raise his eldest son in resemblance of him. He wanted Biff to be hard working and ambitious like him. However, when his eldest son grew to become otherwise, Willy takes on the blame. After interpreting the hidden meanings behind identified symbols in the story, the audience can find it easer to understand the personality of the characters portrayed. The protagonist, Willy Loman, is an ambitious man. However, he is a failure in two of his most important roles in life – that of a husband to Linda and a father to Biff and Happy. The symbolism throughout the story is presented on contrasts (Murphy 7). It is built on the everyday and the ordinary contrasted against the distant and the impossible. It is likewise built on the blissful camaraderie of the days gone by with the lonely, disturbing present. Similarly, the symbolism in the story is built on fantasy with reality as well as on the selfish law of the jungle with love. Recollections of the Loman residence prior to the development in their neighborhood are that of a happy past. At present, with apartment buildings closing in, it is not possible to plant anything in the yard. Nonetheless, the protagonist still attempts to do so on his last day. The image of Willy carrying a flashlight in the evening, planting lettuce, beet, and carrot seeds in the barren land, encapsulates the senselessness of the life he lived as well as the heritage he leaves behind as his â€Å"seed. † The jungle, diamonds, timberlands, and frontiers represent the things beyond your reach. On the other hand, the refrigerator and the car among other things signify Willy’s daily struggles and frustrations in life. The picture of the life-giving water in the tank is placed in contrast to the symbol of suicide which his wife discovers, the black rubber pipe with an attachment that fits the gas pipe of the heater. The characters in the story act and sound like normal people, dealing with common domestic as well as social concerns. Still, the flashback dream sequences of the protagonist as well as the ever more apparent symbolism in the story’s clever objection to accepted social expectations also meet the requirements of an expressionistic work, which does not portray real life so much as subjective representation of life. The story presents a portrait of a man who managed to strike an emotional chord which continues to resound. Willy Loman is a man of his time. However, to a certain extent, he is also timeless. He has fascinated audiences the world over and continues to fascinate them until now. Works Cited Abbotson, Susan C. W. Student Companion to Arthur Miller. Santa Barbara, California: Greenwood Publishing Group, 2000. Bigsby, C. W. E. Arthur Miller: A Critical Study. New York: Cambridge University Press, 2005.

computer purchase essays

computer purchase essays PROF. MARTINEZ COMPUTER PURCHASE Recently, I decided to purchase a new computer. Buying a computer can be a complicated procedure. A number of decisions must be made before making this purchase. I must decide what type of software and hardware I need for my everyday use. Another decision that must be made is how much money do I want to spend. There is no real budget for this purchase. I am not really concerned with the price of the computer. I am not looking to cut corners. My main concern is that I purchase a reliable computer that can support all the necessary functions for my day-to-day business and personal affairs for an extended period of time. The basic need for this computer is for writing documents and reports for college. In addition, I need the computer for my financial accounts. The Internet is essential for research and for that occasional surf. I would also like to purchase a number of games to keep myself busy while I download files. I am not in favor of proprietary computer systems. It is not fair to consumers for a manufacturer to produce hardware and software that has built-in obsolescence. It is not very realistic for a consumer to have to purchase totally new software when he wants to switch computer models or manufacturers. The only people who could ever be in favor of this type of manufacturing are the manufacturers themselves. Technology keeps changing and a lot of newer software is being developed which requires more powerful machines. Machines should be upgradable and not have this forced turnover feature. I must first determine what software I will need and then find hardware to match that software. I have a lot of experience with the Microsoft Office 97 software package and it supports all my word processing and spreadsheet needs. Although Office 2000 far surpasses Office 97, there is no real need to go for the upgrade at this particular time. Office 97 cov...

Dantes Inferno Essay Example | Topics and Well Written Essays - 750 words

Dantes Inferno - Essay Example .." subordinator, and ending with main clauses that open with "so..." Rendered by a single translator, these similes tie together disparate styles encountered between analogies; codified by a recurring language of analogy, they give us a dark comfort just as Homer's tropes of analogy--"Wine dark sea," "Rose fingered dawn"--comfort us. If we can safely assume that what we have accomplished sounds better than prose, can we also believe that we have dislodged Dante's sense little enough to justify the effort It all comes down to no more and no less than that. It seems fair to conclude with a test case. Here is the lovely simile, a mixture of Virgilian pastoral and everyday Tuscan agricultural elements that opens Inferno 24, first in John Sinclair's prose, and then in our free verse. The situation is this: Virgil has been irritated by the mocking of his intelligence by the shade of a Jovial Friar from Bologna, since he had been tricked by a devil and almost gotten Dante killed in an ambush: Dante's style changes with different speakers and settings, and the translator must adjust his style to suit that variety. Francesca's mode in telling of the love that brought her to hell, is very different from the tone Ulysses uses in recalling how he inspired his men to follow him to the ends of the earth. Bertran de Born, holding his head up like a lantern as he tells his sin, has a voice very different from Ugolino's expression of pain and vicious fury. Language and mood shift with the shifting canvas. The simile of the arsenal in Venice as the workmen caulk their unsound ships' with viscous pitch' which introduces the scene devoted to the devils of barratry is different in language and mood from the hoarfrost' image of a country scene evoked to describe the protagonist's feelings of relief at seeing Virgil smile again. Dante succeeds in commemorating not only the paramount movement from visual to verbal levels but the contrary movement from the verbal surface to the picture or vision that lies behind it. The acrostics are something between writing and picture. They have neither the differentiated articulation of a discursive argument nor the representative density of a picture, nor are they as schematic as a diagram, although their numerological distribution has diagrammatic elements. They instantiate rather the locus of a contest among the arts. On the side of vision is the immediacy that places as a picture in "logical space" the Dantean message of man's connection with pride--the fundamental sin. Vision, not discourse, is that toward which the power of the poet

Summary Essay Example | Topics and Well Written Essays - 250 words - 105

Summary - Essay Example There are different structuring considerations for different types of businesses. Canadian businesses need registration from the concerned provincial and federal governments for getting the tax account numbers. An allocation formula is used to allocate each corporation’s income to the provinces of permanent establishment. Capital Taxes have been mostly waived, whereas interest expenses are financed and deducted according to the set principles. Canada follows the guidelines set by OECD for the arm-length’s principle for transfer pricing. Earnings of a Canadian subsidiary are distributed through dividends, and the cash is repatriated. Canada applies withholding tax upon the non-residents’ services in Canada. Canada treats leasehold improvements as capital expenditures for the purposes of tax. Tax planning opportunities are there for companies having significant real estate amount in Canada. Canadian income tax laws apply on non-resident businessmen in Canada under domestic law, though sales made over the Internet are exempt from the income tax

Murras Is a Significant Work of Literature Essay Example for Free

Murras Is a Significant Work of Literature Essay â€Å"Why is a play a significant work of literature? It is because the play presents enduring themes and ideas that continue to engage audiences.† The play Murra’s by Eva Johnson takes place between the late sixties and mid-seventies and focuses on one family and their struggle to come to grips with white Australia as they move from a fringe dwelling to life in the city This play was set at the time of the stolen-generation, which was when Indigenous Australian children were taken away from their families by British settlers and were forced to forget what little of their Aboriginal identity they knew, and live like â€Å"white people†. The ancestors of those people who were subject to the stolen generation still exist today that is why the ideas and themes that are conveyed in the play about the stolen generation continue to engage an audience particularly in Australia because the discrimination they experienced is still going on today and it might not ever go away. Throughout the play there are a number of themes and techniques showing and emphasising the treatment of Aboriginal people, how they lived, their thoughts and their opinions. The first theme displayed in the play is Gender. Gender is a social idea that creates roles and expectations based on people being either male or female. An example of gender is shown through the technique of characterisation. A significant character by the name of Wilba is characterised by the writer through dialogue and stage directions. He is seen as the dominant masculine figure of the family, greatly shown in scene one when he comes home carrying a bucket of water and food. The effect of the way Wilba is characterised emphasises the gender stereotypes that are very constant throughout the play. Another technique showing gender is costume. The women in Murra’s wear traditionally feminine clothing. For example mother Ruby comes home with a bag of dresses for her sixteen year old daughter Jayda to wear, as this is typical female attire. The expectations of the female gender are maintained through costume because what the women wear is stereotypical. Gender at the time was a significant issue, particularly within Aboriginal culture. Identity is a strong concept to most Indigenous Australians. It is a significant issue or theme in the play Murra’s. Identity is part of a link to culture. Due to government control at the time, Aboriginal identity was severely affected, illustrated by the families struggle to maintain it. Characterisation is used to show identity by the way Granny is characterised through her strong beliefs, shown in act one when she says; â€Å"Wudjella woman got different way to Gudjeri woman. They don’t have woman’s dreaming, special dance†. The effect of this is Granny is shown as a representation of the strong Aboriginal identity that the family cling to. Granny’s dying scene is another example of identity; this is shown through the technique of sound and lighting. â€Å"This is done to the music of the Didjeridu and Clapping sticks. At the end of the dance the lights slowly fade until the stage is totally black.† This symbolises her return to the earth and the traditional preparation of her body to return to the spiritual world of her dreaming. Granny’s death results in the metaphorical death of Aboriginal identity. Power is the ability to influence the behaviour of people and is a theme that is central to the play Murra’s. The characters within the play are very much affected by the power and authority that controls them, which essentially dictates the role of gender and identity of each character. One of the techniques used to show power in the play is setting. An example is â€Å"The year is 1970. The family have moved to the city.† This example shows that the government had the power to move them from the county where they were living to the city. Dialogue is another technique used to show power. An example is when Wilba says â€Å"I’m sick to the gut of their false promises of self-determination. Sick of their shit lies, their corrupt laws, their diseases and their gaols†¦ Yeah their chains, their chains.† The effect of dialogue within the play emphasises their strong opinions regarding the constant power struggle they are forced to deal with due to government control. The play Murra’s is a significant work of literature because the themes, gender, identity and power, to this day engage audiences as the issues displayed have still not been rectified and are highly controversial topics. The themes displayed are always present in society and are something that may never go away

Things Every Geologist Should Do :: essays research papers

As an experienced geologist, there are many things one could teach a new geologist. There are some basics recommended that every geologist be aware of. There are a variety of general geologic websites that a person could go to for information. One of them is called â€Å"Geysers and the Earth’s Plumbing Systems.† This website explains everything about geysers. Geysers are not often found on the surface of the earth and are considered very unstable hot springs. In order for a geyser to erupt there must be a water supply, a heat source, and a reservoir and associated plumbing system. There are only about fifty locations where geysers occur. In order for a geyser to erupt, boiling hot water and cool water must mix in the underground reservoir. When this happens the hot water rises and the cool water stays at the bottom. The water continues to rise until it comes out the top hole of the geyser. Sometimes the eruption is catastrophic while other times it is minor. Some characteristics that have an effect on geysers are the amount of rainfall, temperature of the water, and the barometric pressure. Even the smallest change in one of those can cause an eruption. Another interesting geological structure is slot canyons. This is something I have never heard about before, and I am assuming that not many other people have either. Slot canyons are hundreds of feet deep but only a couple of feet wide. They are mostly located in the southwest parts of the United States. They are very colorful due to the reflection of the sun off the walls of the canyon. It is said that they are hard to find but once located they are very beautiful. Lake Baikal is located in parts of Russia and southern Siberia. It is the deepest lake in the world, with an average depth of 730 meters, and the deepest part at 1620 meters. The lake covers over 31.5 square kilometers. That is one fifth of the world’s water in reserve. The Great Barrier Reef is a place that every geologist should visit at some point. It is located off the coast of Australia and extremely educational and beautiful. It is home to more than four hundred different types of coral, 1500 kinds of fish, and 4000 mollusks. The whole reef is over thirty-five hectares. After research in 1997 the reef was said to be in good condition and being well maintained.

Capitalist Hegemony

Capitalist Hegemony at its Finest Alex Jackson Sarah Ciurysek Capitalist Hegemony at its Finest. By Alex Jackson Throughout time different societies have seen their respective take on pop culture. Pop culture is not simply a culture that has suddenly sprung from the ground in the last 20 years and wormed its way into text books, periodicals and university debates; it is a culture built around a defined group of ideas, perspectives and attitudes. Pop culture in its evolutionary path has seen many changes from Roman sculpture to Baroque paintings to post-war Abstract expressionism, all amounting to what we know today to be our pop culture.However, the pop culture that we experience on a day-to-day basis in the 21st century is one unparalleled by the pop culture already seen and past. Today we are surrounded by the ever-expanding mass media. Since the invention of the Internet in the 1980’s, mass media has spread like wildfire and with it the furthering evolution of the 21st cent ury’s pop culture. With the growth of mass media in our pop culture we see new trends and patterns. As we all know, North America was built on a firm foundation of capitalism. This capitalism is the foundation not only for businesses and corporations, but for our developing culture as well.A growing notion and potential fear amidst this evolving foundation is the existence of capitalist hegemony. For one to understand this term one must know the definition of the two words individually. Mirriam Webster’s dictionary defines capitalism as ‘an economic system characterized by private or corporate ownership of capital goods, by investments that are determined by private decision, prices, production and the distribution of goods†¦Ã¢â‚¬â„¢ Hegemony, defined also by Webster’s dictionary is ‘the social, cultural, ideological, or economic influence exerted by a dominant group. In combination, the two represent a power exerting itself over a group in atte mpts to feed and control consumerism. Capitalist hegemony can be seen on the television, in advertisements, film and video games. The method by which capitalist hegemony is spread, that we will consider in this essay, is the video game. Video games contribute to the spread of capitalist hegemony in two ways: through the easily-accepted method of suggestion of consumerist narratives; and through the extremist method of exerting complacency on a populous.From an early age, all of us have been bombarded with a consumer culture. We have been taught by mass media always to want, look for and buy the next big thing. Video games have taken up this torch in that easily-accepted, subtle way. There’s no need to tell a person to buy, the task is more indirect. Gamers play through a story, the narrative more often than not being all about consumerism of one form or another. As masked as the consumerist plot may be, it is more than likely there. Take for example a game such as Dead Space 2.This game involves the main character Isaac Clarke fighting his way through the Sprawl in attempts to destroy a giant relic called the Marker, which is responsible for an alien infestation. At first glance, the story line of Dead Space 2 gives no evidence of capitalist tendencies; however the player need only kill one of the creatures in the game and pick up the loot to enter currency into the game. Money and power nodes allow the player to upgrade Isaac’s abilities and buy weapons and suits, and additional ammo and med packs.The gamer thereby is subliminally being taught the values of capitalism, make money buy new things. In other approaches to video games the developers don’t go to such length to mask consumerism. In games such as Need for Speed Underground the player races for money so as to purchase upgrades for already purchased cars, and to buy new ones. In Digital Games and Cultural Studies by Garry Crawford and Jason Rutter, this point is explained: â€Å"N umerous games are based upon the principle of capital accumulation where the central aim and theme is to make more money to improve character’s avatar’s skills or possessions. (Crawford and Rutter) One might argue for sports-related games such as Madden NFL 12, or NHL 11 where the object of the game appears to be purely sport. Win a game, move to the next round is the essential plot; however, these video games have been sponsored by larger companies looking to get their name out to more consumers. Although the advertisements are small and only seen on the back boards of the field or ice rink where the game is staged, the information does go in. According to studies, advertisements need to be put in front of the viewer for an extended amount of time before he viewer picks up on it. What better place than a video game to expose a viewer to a continuous stream of advertisements. To add to the two previous methods of consumerism being pushed through video games, there rema ins a third methodology. Typically, a well received video game will be made into a series. The game that supersedes the one before it always promises to be bigger and better; better graphics, better sound, etc. This leaves the player wanting more and lusting for the next big chapter.Many large game development companies such as EA games with Battlefield, and UBISOFT with Halo follow this trend and have met been with great success. Crawford and Rutter, in reference to the Birmingham School can be quoted as saying that, â€Å"the shared values and culture of a society are those based largely on dominant (that is, ruling class) values and ideologies. † (Crawford and Rutter) If our dominant culture is founded on capitalism, then the governing values and ideologies have to be exerted via subcultures such as pop culture and the ways in which its groups communicate.We have looked at the spread of consumerism via video games. This concept is easy to swallow because we see evidence of it everywhere we look. However, the second theory of how pop culture contributes to capitalist hegemony isn’t so easy to digest. As technology continues to advance and things such as social networking and portable communications grow, we begin to see a decrease in the need to go outside and meet people. The same goes for video games.With the introduction to video games in the 1970’s we have seen the creation of a new kind of computer geek, the gamer. Gamers can spend extended amounts of time inside, staring at a screen. With the advancement of video game graphics, intriguing storylines and strategic challenges, it’s no wonder gamers would rather play video games than interact, play sports or become useful members of society. A sudden lack of community has sprung up in the midst of our new found technological enlightenment. Digital gaming could be seen (and has been seen by many) as a clear illustration of the individualization of society†. (Crawford and R utter) People no longer need to come outside to communicate, to do activity or exercise. â€Å"The rate at which these games are flying off the shelves would suggest more football is being played on home computers than on local fields†¦Ã¢â‚¬  (O’Connor, 2002). The uprising of this new phenomenon is evidence of a growing complacency in our society. People needing to do less and less.Looking at this from the viewpoint of a large capitalist corporation, it means profit; maintaining ‘the existing status quo [to] promote dominant capitalist values,’ (Crawford and Rutter) keep people inside, in front of a screen absorbing information that fuels their desire to buy. Stuart Hall suggests that â€Å"cultural products (such as television programmers, popular music and digital games) may be ‘encoded’ with dominant values, ideas and beliefs. † (Hall, 1980) Albeit a little extreme, Hall is supported in an indirect way. John Hopson, a games researche r at Microsoft Games Studios holds a doctorate in behavioral and brain sciences.Based on one of Hopson’s studies, a gamer can in essence be persuaded to produce a set of behaviors the developers want, â€Å"each contingency is an arrangement of time, activity, and reward, and there are an infinite number of ways these elements can be combined to produce the pattern of activity you want from players. † (Hopson) Simply put, large corporations intend to subliminally brain wash us with messages of use to capitalist pursuits. These ideas are conceptual, large and potentially a bit fanciful, but the evidence supporting them is happening before our eyes.People keep on buying based on information consumed through media portals including game consoles. The emergence of gamers and the diminishing need to go outside is a constant reminder that, although seemingly unrealistic, someone is using the right approach to acquire profit. Video games, among other methods, contribute to so me form of capitalist hegemony whether intended or not. It would be frightening to know that a corporation would approach the market with such fervor as to send subliminal messaging through a game console. It’s surprising the very real effect of advertisement has on the consumer. -â€Å"Merriam-Webster. † http://www. erriam-webster. com/. N. p. , 2011. Web. 14 Apr 2011. -Crawford, Garry, and Jason Rutter. â€Å"Digital Games and Cultural Studies. † Sage Publications. (2006) -O’Connor, A. (2002) â€Å"Evan better than the real thing? †, The Times, The Game Supplement, 9 December. Pp 2-3. -Hall, S. (1980) â€Å"Encoding/ decoding†, in S. Hall, D. Hobson, A Lowe and P. Willis (eds) Culture, Median, Language: Working Papers in Cultural Studies. Chicago, IL: University of Chicago Press. Pp 215-43 -Hopson, John. â€Å"Behavioral Game Design. † Gamasutra (2001): n. pag. Web. 14 Apr 2011. .